ONE OFF TRADITIONAL BAMBOO MUSIC FROM BANYUWANGI
Angklung represent typical artistry of Banyuwangi city. Its Instrument made from the bamboo than made in such a manner so that yield tone - compatible minor tone accompany "kendang kempul" songs that is typical song socialize of banyuwangi. This artistry played by 12 until 14 people. At show of artistry angklung enhanced by Instrument of Saron, Kendang (traditional percussion of java) and Gong. Angklung own some kinds of, that is: Angklung Caruk, Angklung Tetak, Angklung Paglak, Angklung Dwilaras, and Angklung Blambangan
Angklung Caruk
As according to its name " Caruk" meaning is meet, duel, staging Angklung caruk bring into contact 2 group of angklung which each other show deftness in creating dynamic and lively rhythm so that yield delicious rhythm heard. Early their staging play angklung one by one and generally accompanied by dancer interspersed with kendang kempul songs. Then play in solo every instrument showedly deftness in playing the instrument, what is generally interspersed with joke and each other jeer " acake saiki biso ta riko" ( try now you can do it?).
After both group show its ability staging covered with to play together and play music each other. In this duel is not defined who win and who fail, audience satisfaction have enough to all this angklung player.
Angklung Paglak
Every traditional ceremony of tribe osing have never released by angklung paglak, gamelan angklung played high onstage. Angklung Paglak gladness symbol socialize using. Angklung Paglak consisted of two castanets type, small angklung and kendang. This Gamelan played by four people, two angklung player and two kendang player. Music which belting out of lively and each other. Some type kendang kempul song brought among other things gerang kalong, tetel-tetel, padang ulan. This kendang kempul song is bliss story live rural society.
Angklung Paglak generally played by a great crop moment. This Angklung onstage played boosting high in the middle of rice field. High more and more the podium will more and more piercing voice oscillation its angklung. Made podium from four bamboo pillar with coconut leaf matting roof. Around the podium placed by two banana leaf as farmer prosperity symbol. Moment harvest, voice sound of angklung paglak heard. Angklung Paglak only played by a adult man. This Angklung will be played during great crop and the moment performed by a traditional ceremony. ceremony ider bumi, angklung paglak played one day full before ceremony started. in rotation Citizen playing of it hotly full of liking the goal.
Its song is lively invite citizen to merge into ceremony. So angklung paglak playing of it, in a crack the citizen come in large numbers. They hotly beat time and hymn by using Ianguage of osing.Angklung paglak own value of high sacret. Its rhythm is lively able to hearten struggle of clan osing. Generally, angklung paglak will be played between one other group and group. Oscillation which heard also able to dissipate all eveil ghost threat.
Unhappily, angklung paglak have started left by a young clan of osing. Nowadays only omit the old which will hold out by gamelan that. look for youngster which will learn angklung paglak. They are more amount learning the modern music, criticize Adi Purwadi, player of angklung paglak. This Gamelan is ‘ economical’ because do not use energi electrics. substance of cheap Gemelannya also and can be made by xself. To remain to preserve angklung paglak, community of tribe of osing make group learn music of this type of. Even a little the enthusiast, this group is non-stoped to cope to invite all young fellow to will join. Except that we, who'll preserve it, say Adi. In Banyuwangi angklung paglak is inclusive of sacret as dance gandrung.
PATROL
ANGKLUNG : TRADITIONAL BAMBOO MUSIC BAMBOO
Angklung represent typical artistry of Banyuwangi city. Its Instrument made from the bamboo than made in such a manner so that yield tone - compatible minor tone accompany "kendang kempul" songs that is typical song socialize of banyuwangi. This artistry played by 12 until 14 people. At show of artistry angklung enhanced by Instrument of Saron, Kendang (traditional percussion of java) and Gong. Angklung own some kinds of, that is: Angklung Caruk, Angklung Tetak, Angklung Paglak, Angklung Dwilaras, and Angklung Blambangan
Angklung Caruk
As according to its name " Caruk" meaning is meet, staging Angklung caruk bring into contact 2 group angklung which each other show deftness in creating dynamic and lively rhythm so that yield delicious rhythm heard. Early their staging play angklung one by one and generally accompanied by dancer interspersed with kendang kempul songs. Then play in solo every instrument showedly deftness in playing the instrument, what is generally interspersed with joke and each other jeer " acake saiki biso ta riko" ( try now you can do it?).
After both group show its ability staging covered with to play together and play music each other. In this duel is not defined who win and who fail, audience satisfaction have enough to all this angklung player.
Angklung Paglak
Every traditional ceremony of tribe osing have never released by angklung paglak, gamelan angklung played high onstage. Angklung Paglak gladness symbol socialize using. Angklung Paglak consisted of two castanets type, small angklung and kendang. This Gamelan played by four people, two angklung player and two kendang player. Music which belting out of lively and each other. Some type kendang kempul song brought among other things gerang kalong, tetel-tetel, padang ulan. This kendang kempul song is bliss story live rural society.
Angklung Paglak generally played by a great crop moment. This Angklung onstage played boosting high in the middle of rice field. High more and more the podium will more and more piercing voice oscillation its angklung. Made podium from four bamboo pillar with coconut leaf matting roof. Around the podium placed by two banana leaf as farmer prosperity symbol. Moment harvest, voice sound of angklung paglak heard. Angklung Paglak only played by a adult man. This Angklung will be played during great crop and the moment performed by a traditional ceremony. ceremony ider bumi, angklung paglak played one day full before ceremony started. in rotation Citizen playing of it hotly full of liking the goal.
Its song is lively invite citizen to merge into ceremony. So angklung paglak playing of it, in a crack the citizen come in large numbers. They hotly beat time and hymn by using Ianguage of osing.Angklung paglak own value of high sakral. Its rhythm is lively able to hearten struggle of clan osing. Generally, angklung paglak will be played between one other group and group. Oscillation which heard also able to dissipate all eveil ghost threat.
Unhappily, angklung paglak have started left by a young clan of osing. Nowadays only omit the old which will hold out by gamelan that. look for youngster which will learn angklung paglak. They are more amount learning the modern music, criticize Adi Purwadi, player of angklung paglak. This Gamelan is ‘ economical’ because do not use energi electrics. substance of cheap Gemelannya also and can be made by xself. To remain to preserve angklung paglak, community of tribe of osing make group learn music of this type of. Even a little the enthusiast, this group is non-stoped to cope to invite all young fellow to will join. Except that we, who'll preserve it, say Adi. In Banyuwangi angklung paglak is inclusive of sakral as dance gandrung.
BARONGSAI FROM BANYUWANGI
Barong one of traditional artistry from Banyuwangi
Barongan represent tradition socialize countryside kemiren, Artistic of Barong in countryside of Kemiren created by Grandparent of Buyut Tompo at about 1830. At that moment in countryside of Kemiren there is show of Seblang played by Embah Sapua. When dancer of seblang possesed by a spirit genie, happen dialogue with Grandparent of Buyut Tompo in order to staging of seblang moved to countryside Ole-Olean ( Olesari), while in countryside of Kemiren show art barong. After the time of that there is rule which must be holded by firmness by society, namely socialize countryside Kemiren is not allowed to show seblang, conversely socialize Olehsari may not show barong. Artistic of Barong created by Buyut Tompo is constituted by ancestor socialize countryside of Kemiren, Grandparent of Buyut Cili, namely the figure which the myth and considered to be by danyang or custodian of countryside Kemiren. For the reason every staging, namely when barong experience of incoming possesed by a spirit by Buyut Cili.
Tradition of Barong kemiren referred as ‘ barong ider bumi’ that is ceremony circle countryside with pageant of barong and multifarious type of offering performed on second of feast day of Ramadan idul fitri. Barong, symbol of association and prosperity. dance of Barong believed able to refuse all danger which can bother life socialize countryside. tradition of Ider bumi start to emerge year 1840. The tradition is ceremony refuse army to avoid other trouble and disaster. Its story, that moment is Countryside of Kemiren becoming of tribe will using in Banyuwangi have been borne down upon by endless pagebluk and disaster . One or the other of local elite figure get occult voice is in order to performed by ceremony of barong ider of earth to dissipate the disaster. Local citizen follow the occult voice, until now
instrument for pageant of this is consisted of kendang, kecrek, kenong and gong. In its growth is tradition of this barong do not just to ider bumi but also for event of show event socialize osing of like circumcise, marriage even of general election campaign.
HEAVY METAL MUSIC TYPICALLY FROM BANYUWANGI
KUNTULAN TRADITIONAL ARTISTRY FROM BANYUWANGI
Ossify, aggresive and jerking
Kuntulan come from word kunthul having a meaning of flamingo. why referred as Kuntulan? Because The dancer cloth which it is said turn white like stork fur and at the time of dancing to form formation like the flamingo and also with movement loo like kunfu. In range of time 1950-1978, art dance of kuntulan only conducted by his movement and man clan is the dance a lot of sit the above foot, by using rebana and bedug (big drum) as a means of its music attendant. Specially the maisonette pesantren (traditional education in java) citizen because it is true from tradition pesantren as Islam spreading medium. Song bounced also in the form of shalawat and make much of to Rasul. But since 1979, for creative effort choreographer dance Sumitro, the dance of kuntulan played by woman.
After the time of that, dance movement pattern which from the beginning very monoton stereotype and line boring gamelan change more dynamic and lively. Even, since atmosphere clan take over dancer kuntulan position, so-called " rodhat", change also happened in cloth. Costume weared do not again compare to bird flamingo which the white chromatic. But hence the gorgeous cloth prominently.
seen from facet dress dancer of this kuntulan a lot of influence dress dancer of visible gandrung at some part dress dancer of pertinent kuntulan. Just only enhanced by a cowl, clothes of long arm more closed with closed long pants. Hand of the dancer also closed by mitten of white chromatic, and her foot closed by a white stocking all completely turn white like bird flamingo with kamboja flower on ear the dancer.
In growth hereinafter, hadrah kuntulan turn into kundaran which more and more secular, and start to instruct at nature of amusing. Traditional song of Banyuwangi also have started to enter in the form of this kundaran. added by its rhythm also much more ossify, causing this Kundaran or Kuntulan is conceived of heavy metal music from Banyuwangi. Effect Growth of the creativity, artistic dance kuntulan slowly start to fade. Nowadays, art dance ordinary kuntulan show to enliven intention circumcise, marriage, till campaign of before general election
Elementary music peripheral of kuntulan consisted of Rebana as much 4 until 11 pcs, Big drum 1 pc as percussion bass, Small drum 2 pcs functioning as rhythm regulator, by code is certain rhythm of small drum arrange when its moment rebana beated boisterous and quickly and when its moment rebana beated by a slow. additional peripheral is generally added by kenong, kluncing ( triangle), gong, violin even at growth enhanced a modern castanets like keyboard and guitar electric.
Ossify, aggresive and jerking to jerk have become specification in artistry of this hadrah kuntulan or kundaran. All player likely shoulder to shoulder create dynamic tone, ossify and very aggresive fair till if referred as heavy metal music of typical from Banyuwangi. for first multiply to listen this kuntulan surely will close its ear because boisterous so and ossify sound yielded from rebana beated by all player.
In one staging kuntulan generally there is 2 group kuntulan stay in one podium so-called kuntulan caruk ( kuntulan duel ). both the group each other show deftness in arransemen and variation of blow rebana. in duel is not defined whose the winner, they will satisfy if audience lick lips and marvel.
